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John William Waterhouse
Lamia
Lamia
(version 2)
1909
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John William Waterhouse
Thisbe
Thisbe
1909
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John William Waterhouse
Ophelia
Ophelia
1910
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John William Waterhouse
Spring Spreads One Green Lap of Flowers
Spring Spreads One Green Lap of Flowers
1910
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John William Waterhouse
The Charmer
The Charmer
1911
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John William Waterhouse
Penelope and the Suitors
Penelope and the Suitors
1912
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John William Waterhouse
The Annunciation
The Annunciation
1914
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John William Waterhouse
Beatrice
Beatrice
Circa 1915
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John William Waterhouse
Dante and Beatrice
Dante and Beatrice
1915
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John William Waterhouse
I am half sick of shadows,
I am half-sick of shadows, said the Lady of Shalott
1916
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John William Waterhouse
A Tale from the Decameron
A Tale from the Decameron
1916
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John William Waterhouse
Miranda
Miranda -- The Tempest
1916
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John William Waterhouse
Echoandnarcissus
Echo and Narcissus. Oil painting.1903
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John William Waterhouse
Miranda The Tempest
Medium Oil on canvas
Dimensions 039.57 ?? 53.94 in
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John William Waterhouse
The Danaides
1903(1903)
Oil on canvas
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John William Waterhouse
I am half sick of shadows said the lady of shalott
John William Waterhouse - I am half-sick of shadows, said the lady of shalott.
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John William Waterhouse
Shrine
Medium Oil on canvas
Dimensions x cm
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John William Waterhouse
La Fileuse
Date 1874
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John William Waterhouse
Cleopatra
1888
Oil on canvas
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John William Waterhouse
Animated Miranda
Animated Miranda
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| John William Waterhouse
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English Pre-Raphaelite Painter, 1849-1917
English painter. His father was a minor English painter working in Rome. Waterhouse entered the Royal Academy Schools in London in 1870. He exhibited at the Society of British Artists from 1872 and at the Royal Academy from 1874. From 1877 to the 1880s he regularly travelled abroad, particularly to Italy. In the early 1870s he had produced a few uncharacteristic Orientalist keepsake paintings, but most of his works in this period are scenes from ancient history or classical genre subjects, similar to the work of Lawrence Alma-Tadema (e.g. Consulting the Oracle, c. 1882; London, Tate). However, Waterhouse consistently painted on a larger scale than Alma-Tadema. His brushwork is bolder, his sunlight casts harsher shadows and his history paintings are more dramatic.
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